{"version":"1.0","provider_name":"La Feria, Carrusel Cultural","provider_url":"https:\/\/noticias.imer.mx\/laferia","author_name":"La Feria","author_url":"https:\/\/noticias.imer.mx\/laferia\/author\/laferia\/","title":"Arqueoac\u00fastica  - La Feria, Carrusel Cultural","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YrQwPTJ8q7\"><a href=\"https:\/\/noticias.imer.mx\/laferia\/2011\/04\/19\/entrevista-a-alejandro-ramos-amezquita\/\">Arqueoac\u00fastica<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/noticias.imer.mx\/laferia\/2011\/04\/19\/entrevista-a-alejandro-ramos-amezquita\/embed\/#?secret=YrQwPTJ8q7\" width=\"600\" height=\"338\" title=\"\u00abArqueoac\u00fastica\u00bb \u2014 La Feria, Carrusel Cultural\" data-secret=\"YrQwPTJ8q7\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"\u00a0Incorporar el contexto sonoro a las investigaciones sobre los sitios arqueol\u00f3gicos en nuestro pa\u00eds, es el objetivo de un grupo de especialistas que desarrolla la arqueoac\u00fastica. Entrevista con Alejandro Ramos Am\u00e9zquita, director de la carrera de ingenieria en producci\u00f3n musical digital del TEC Monterrey, campus Ciudad de M\u00e9xico. Escucha","thumbnail_url":"http:\/\/snn.imer.gob.mx\/laferia\/files\/2011\/04\/080411_02a-150x150.jpg"}